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Piero della Francesca Polyptych of the Misericordia oil painting reproduction


Piero della Francesca

Polyptych of the Misericordia

1460-62; Oil and temper a on panel; Pinacoteca Comuale Sansepolcro
Painting ID::  9978
 

 

Piero della Francesca Polyptych of the Misericordia oil painting reproduction


Piero della Francesca

Polyptych of the Misericordia


Painting ID::  9979
 

 

Piero della Francesca Polyptych of the Misericordia oil painting reproduction


Piero della Francesca

Polyptych of the Misericordia

1445-1462 Oil and tempera on panel
Painting ID::  43576
 

 

Piero della Francesca polyptych of the misericordia oil painting reproduction


Piero della Francesca

polyptych of the misericordia

sansepolcro, pinacoteca comunale oil and tempera on panel base 3.30 m height approximately 2.73m se
Painting ID::  64986
 

 

Piero della Francesca Polyptych of the Misericordia oil painting reproduction


Piero della Francesca

Polyptych of the Misericordia

Date between 1445(1445) and 1462(1462) Medium Oil and tempera on panel Dimensions Height: 273 cm (107.5 in). Width: 330 cm (129.9 in). cjr
Painting ID::  86835
 

 

Piero della Francesca Polyptych of the Misericordia oil painting reproduction


Piero della Francesca

Polyptych of the Misericordia

Date between 1445(1445) and 1462(1462) Medium Oil and tempera on panel Dimensions Height: 23 cm (9.1 in). Width: 70 cm (27.6 in). cjr
Painting ID::  86860
 

 

Piero della Francesca Polyptych of the Misericordia oil painting reproduction


Piero della Francesca

Polyptych of the Misericordia

1445(1445) and 1462(1462) Medium oil and tempera on panel Dimensions Height: 23 cm (9.1 in). Width: 70 cm (27.6 in). cyf
Painting ID::  91671
 

 

Piero della Francesca Polyptych of the Misericordia oil painting reproduction


Piero della Francesca

Polyptych of the Misericordia

between 1445(1445) and 1462(1462) Medium oil and tempera on panel Dimensions Height: 273 cm (107.5 in). Width: 330 cm (129.9 in). cyf
Painting ID::  91680
 

 

Piero della Francesca
Italian Early Renaissance Painter, ca.1422-1492 Italian painter and theorist. His work is the embodiment of rational, calm, monumental painting in the Italian Early Renaissance, an age in which art and science were indissolubly linked through the writings of Leon Battista Alberti. Born two generations before Leonardo da Vinci, Piero was similarly interested in the scientific application of the recently discovered rules of perspective to narrative or devotional painting, especially in fresco, of which he was an imaginative master; and although he was less universally creative than Leonardo and worked in an earlier idiom, he was equally keen to experiment with painting technique. Piero was as adept at resolving problems in Euclid, whose modern rediscovery is largely due to him, as he was at creating serene, memorable figures, whose gestures are as telling and spare as those in the frescoes of Giotto or Masaccio. His tactile, gravely convincing figures are also indebted to the sculpture of Donatello, an equally attentive observer of Classical antiquity. In his best works, such as the frescoes in the Bacci Chapel in S Francesco, Arezzo, there is an ideal balance between his serene, classical compositions and the figures that inhabit them, the whole depicted in a distinctive and economical language. In his autograph works Piero was a perfectionist, creating precise, logical and light-filled images (although analysis of their perspective schemes shows that these were always subordinated to narrative effect). However, he often delegated important passages of works (e.g. the Arezzo frescoes) to an ordinary, even incompetent, assistant.
Polyptych of the Misericordia
between 1445(1445) and 1462(1462) Medium oil and tempera on panel Dimensions Height: 273 cm (107.5 in). Width: 330 cm (129.9 in). cyf

        
   
 

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